Writer Profile
Books & Essays
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Title:
Ossabaw: Evocations of an Island
Date Published:
University of Georgia Press 2004Description:
A tribute in word and image to a Georgia sea island
A wild paradise of woodlands, beaches, and tidal marshes off the Georgia coast, Ossabaw Island is a heritage preserve that will forever remain undeveloped. Visitors rarely leave untouched by its tranquillity and mystery. Many are struck by the sense of solitude it imparts?even though Ossabaw lies just twenty miles south of Savannah.
The book?s three creators have powerful connections to Ossabaw: Jack Leigh?s photography and James Kilgo?s nature writing have led them there, while Alan Campbell has taken part in the artists? retreat known as the Ossabaw Island Project. This retreat has been a source of inspiration and rejuvenation for such attendees as the writer Annie Dillard, architect Robert Venturi, composer Samuel Barber, and sculptor Ann Truitt. Leigh?s black-and-white photographs, Campbell?s watercolor and oil paintings, and Kilgo?s essay offer three highly individual interpretations of a similar experience?that of deep personal connection with Ossabaw?s timelessness and beauty.
In ?Place of the Black Drink Tree? Kilgo?s meditations on the yaupon holly tea used ritually by Ossabaw?s aboriginal inhabitants lead to other thoughts about the island?s natural and human history. Leigh and Campbell's images depict scenes of the contemporary Ossabaw that evoke a landscape as it may have appeared to its Native American, and even its earliest European, inhabitants: deserted beaches strewn with massive pieces of driftwood, palm trees tilting toward the water?s edge, an alligator lounging on the bank of a sandy creek, a flock of seabirds winging across a marsh.
Jack Leigh is the author of five highly acclaimed books of photography, including The Ogeechee (Georgia). Leigh lives in Savannah, Georgia. James Kilgo (1941-2002) wrote extensively about nature, the landscape, and our connections to them. Five of his books, including Colors of Africa, are available from the University of Georgia Press. Alan Campbell, who is based in Athens, Georgia, has served as a visiting artist on scientific expeditions with the National Science Foundation and the Organization for Tropical Studies. The authors' royalties from the sale of this book will go to the Ossabaw Island Foundation.
Book Review #1:
"Here, a triumvirate of artists catches the strange elegance of Ossabaw, one of Georgia's little-known barrier islands?its layers of history and grand wilds, its reckless stillness and stirring shadow, its mystery and manners. In a collaboration of ink, color, and film, these gifted artists show how a place can spark human genius. Think of this book as a shrine of imagination to Ossabaw. All and yet nothing is revealed. May Ossabaw ever remain so beautifully untouched." Janisse Ray, author of Ecology of a Cracker Childhood and Wild Card Quilt
Book Review #2:
"This handsome book captures the magic of Ossabaw Island. Jack Leigh's startling photographs, the engaging paintings of Alan Campbell, and the spirited essay by James Kilgo bring to life the island's mysteries and untouched beauty." Donald Keyes, former curator of paintings at the Georgia Museum of Art
Book Review #3:
"At first, it seems a stretch, using three mediums to put together a portrait of Ossasbaw Island. No one disputes the talents of Jack Leigh, Alan Campbell and the late James Kilgo. But do their disciplines?photography, painting and prose?meld in this instance? The reply is a resounding yes, and the result is a remarkable book." Chuck Mobley, Savannah Morning News
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Title:
The Ogeechee: A River and Its People
Date Published:
University of Georgia Press 2004Description:
Exploring the swampy woods of Georgia?s Chatham County some years ago, searching out places to photograph, Jack Leigh turned his car onto an obscure dirt road winding farther into the forest. Finally driving into a clearing on the banks of the Ogeechee, Leigh found himself at Uncle Shed?s Fishing Camp, and at the beginning of what would be a two-year discovery of the river and its people, a chronicle in images and words stretching from the Ogeechee?s headwaters in Greene County to marsh flats near the Atlantic Ocean.
In his photographs and text, Leigh introduces such river natives as George Altman, standing knee-deep in water and reeling out fishing stories as he flicks his line into a shaded area beneath a fallen tree; and Jack Mikell, Sr., whose life on the river is told in the array of frying pans that hang on the wall behind him and in his recollections of long nights tending moonshine stills in backwater swamps. Leigh tells of the many stories the river holds?of the Muck Runners, Louisville men who each winter slog through swamps and deadfalls two hundred miles to Savannah; of Frank Cox, whose journey down river, taken in numerous pieces with as many reluctant partners, fulfilled a childhood dream; and of a woman?s baptism in Warren County, at which beads of anointing oil mingled with the cold water of the rushing river.
At Uncle Shed?s Fishing Camp, as tales of fish fries and courtship conjure up more than fifty years on the Ogeechee, the camera ranges across the clearing, capturing the pattern of river life in the faded letters of a hand-painted sign; in the weathered face of camp matriarch Bessie Dickerson; and in the scattered flowerpots, lawn chairs, ceramic swans, and gravestone that lie cluttered against a cabin wall. Recording the wild ramblings and lazy progress of the Ogeechee, the quiet rituals and raucous stories of its people, Jack Leigh chronicles the course of lives that run with the current of the river.
Book Review #1:
"Leigh's vision honors the human spirit and the dignity earned from experience."?Atlanta Journal-Constitution
Book Review #2:
"Leigh chronicles in words and images both an untamed river and a vanishing way of life. For two years, he traveled the Northeast Georgia river, talking to hunters, fishermen and moonshine makers. The stories are as memorable as Leigh's duotones."
?Orlando Sentinel
Book Review #3:
"Sepia-tinted photographs and shared anecdotes form an affectionate and plain-spoken portrait of the vanishing lifestyle of the rural South. . . . Leigh has captured a way of life on film that few outsiders will ever see."
?Boston Herald